ChaseAtlantic is coming to a movie theater near you.
The Australian trio is front and center for ChaseAtlantic: Lost In Heaven, a feature-length concert film due out next month in cinemas worldwide through Trafalgar Releasing and VEEPS Studios.
The film captures the final night of the band’s Lost In Heaven European tour, presented May 4, 2025 at London’s iconic O2 Arena.
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“Reliving one of our biggest shows ever, performing at the O2, with fans across the world is incredible,” comments frontman Mitchel Cave. “We wanted everyone, everywhere – not just the people who were there – to be able to feel the energy of that concert.”
Hailing from Cairns in the far north of Queensland, the outfit is led by brothers Mitchel (lead singer) and Clinton Cave(lead guitarist and saxophone), along withChristian Anthony(singer and guitarist).
For their Lost In Heaven global tour, which kicked off with a North America leg in October 2024 and wrapped November 2025 in South America, the trio was joined by friendsJesse Boyle(drummer) andPat Wilde(bassist and guitarist).
With their special blending of pop, rock, and R&B, ChaseAtlantichas emerged as one of Australia’s top music exports in recent years, notching more than 8 billion career streams.
Lost In Heaven (via Fearless Records), their fourth studio album, debuted at No. 4 on the ARIA Chart in 2024, marking the band’s first appearance in the top 50. In the year of its release, Chase Atlantic was identified by Spotify as the third most streamed Australian artist on its platform in the APAC region, behind The Kid LAROIand Troye Sivan, respectively.
“We made this film for the fans who have been with us from the start,” says Mitchel Cave of ChaseAtlantic: Lost In Heaven. “And we hope a lot of new people join the ride when they see this on the big screen.”
Directed byBecky Garner(Central Cee, Dua Lipa, Fred Again), the film begins its theatrical run on Wednesday, Feb. 18.
Expect to see live performances of “Friends” and “Swim,” and much more, say reps, who note the film “is an essential document of the past, present, and future ofChaseAtlantic’s music.”
