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Along with writers Luis Gamboa and Santiago Limón, director Chava Cartas has crafted a celebration of youth, life, love, and film with the charming (if not awkwardly named) feature, MexZombies. In a world full of violent zombie apocalypse movies, this one’s for the teens. 

In a gated community in Mexico, Halloween festivities take an unexpected turn when the quiet suburb is overrun by the shambling undead. Only a small group of kids are aware of the chaos unfolding around them, and the fate of the world falls into their teenage hands. 

MexZombies stars an ensemble cast of talented young’uns. Marcelo Barcelo is comically cheeky as cinephile Cronos, Iñaki Godoy wins hearts as underdog Tavo, Luciana Vale is impressively savvy as sardonic Rex, and Vincent Michael Webb’s repeated self introduction as American tourist Johnny is… surprisingly funny. These kids bring a lot of their own authenticity to their roles, and you can’t blame them for having a blast as they slash their way through a horde of zombie neighbors. And it’s nice to see actual teenagers playing their age! Sorry 20-something year old American actors, but you’re not fooling anyone.

The film deftly weaves typical teen troubles into the zombie-killing action. MexZombies sings the frustrated teenage anthem of “parents just don’t understand” while juggling themes of unrequited love and class disparity. These themes are approached with a level of respectful maturity; they’re young, but their troubles are still valid. Especially when combined with the whole “survive and save everyone” thing. 

The character of Cronos is particularly tangled in this topical web; any dorky movie nerd can identify with his continued dismissal, but he counters it with such impassioned enthusiasm that the film never gets too broody or dark. If Tavo is the heart of the film, Cronos is the guts. 

One thing the film seems to be lacking is any sense of despair. Let’s be clear: this is not a bad thing. It’s oddly refreshing. Are there “we’re at a dark moment and it could get rough” points? Yes. But it somehow stays light on its feet, pushing audience engagement with quick pacing and forward momentum. 

MexZombies definitely wears its Zombieland influences on its sleeve – between the overt references (Cronos dressed as Tallahassee for Halloween) and the slightly less direct (the overuse of slow-motion blood spurts). The appreciation of the zombie film oeuvre is high in this one, from Romero to Thriller to Shaun of the Dead. Overall, the whole film is a smorgasbord of pop culture references, which actually kind of adds to its whole teenager cinephile vibe. 

Zombie movies are a dime a dozen, so you really have to do something bold to stand out. MexZombies may not be brazenly bold, but it is a light, bloody snack. Consider it part of a zombie-watching balanced breakfast. 

MexZombies played as part of the Toronto After Dark Film Festival‘s 2022 lineup. 

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