Hacks was always a love story

Hacks contains multitudes; at once it’s agiddy comedy, an unpredictable drama, and an endlessly fruitful sitcom, but more than anything,Hacks is alove story. Across five seasons, the personal and professional relationship of Deborah Vance (Jean Smart) and AvaDaniels(Hannah Einbinder) has been the beating heart of the show. So much so, their relationship may just be one of the greatest love stories to grace our screens.

WhenHacks first debuted in 2021 on HBO Max, the series framed itself as acomedy-drama, yet the connection between arevered Las Vegas stand-up and adown-on-her-luck Gen Zbisexual can best be described as aromance. The two women couldn’t be more different, but as the rules of romance dictate: opposites attract. The journey of Deborah and Ava perfectly aligns with the template of aromance, featuring acomplicated meet-cute, compromises and sacrifices, apainful breakup, and adeclaration of love that solidifies their partnership.

Hacks’ debut season set up the duo re-inventing and modernising Deborah’s stand-up; season two saw the pair honing their comedic voice, before seasons three and four focused on them finding their place in the late-night circuit. The fifth and final season of the 12-time Emmy-winning show continues to follow the development of the comedic pairing, but turns its focus to legacy, with Deborah desperate to ensure her obituary is packed with impressive accolades – namely securing an EGOT and asold-out show at Madison Square Garden.

No matter the timeline position or the state of their comedy careers,Hacks is built around Deborah and Ava’s deeply loving, intergenerational connections from which jokes easily spout and the pair poke at each other for areaction. However, the final season is different. Finally, the two comedians are recognising the intimacy and adoration they harbour. Their lives have become intertwined, their tastes merged, and they understand each other like no one else. Putting that into words doesn’t come naturally, especially for Deborah so when she confesses that Ava is ​“her voice”, it feels revolutionary. But the sentiment has always been there in Deborah’s hearty laugh, reserved only for Ava, pushing the younger writer for abetter punchline, and the way the pair lock eyes, communicating without words. Greta Gerwig’sFrances Ha monologue on relationships comes to mind: ​“It’s that thing when you’re with someone… you look across the room and catch each other’s eyes… but not because you’re possessive, or it’s precisely sexual, but because that is your person in thislife.”

An early episode in the final season features asoftly spoken confession of love as Deborah admits she previously had no friends, believing her fans were the only people in her corner. ​“Then Imet you, and Ididn’t need them so much anymore,” she tells Ava, who replies: ​“It makes sense. I’m your number one fan.” Like arom-com confession scene, dialogue between the pair shrinks the show to their bond. Romance is somewhat mythical, hard to pin down or outline in aclear shape, but when you see it, it’s unmistakable. What Deborah and Ava have is undeniable and more visible than ever in this final season; they’re allowed to co-exist, no longer questioning each other’s intentions or bracing for animosity. Smart has soothed the jagged edges of Deborah, though her core is still molten, while Einbinder brings out Ava’s emboldened transformation, willing to put her neck out knowing her other half is always there to support her. Their alliance is rooted in this stability of romance, and even their most explosive argument – full-on screaming with tears pouring down their faces – is rooted in their passionate, inescapable love for one another. They care too much not to raise their voices and beg for more time together.